After little more than a week, Charlotte and Leopold went up to London, to Camelford House, where they began to receive a tedious series of ‘loyal addresses’ from various city councils and guilds. The first was from the Lord Mayor of London, who was received incongruously by the new bride in black because the court was in mourning for the Empress of Austria. But now that Charlotte was mistress of her own house she was in a position to receive anyone she pleased, and in the mornings, before the official engagements began, there were frequent visits from Cornelia Knight.
On 16 May they drove through huge crowds to Buckingham House, where the Queen gave a reception in their honour for over two thousand guests. Next day they received visits at Camelford House from Charlotte’s uncles the Dukes of York, Clarence and Gloucester, and then they went round to call on the Duchess of York and thank her for lending them Oatlands.
Yet, despite their inevitably crowded social calendar, Charlotte and Leopold found time to indulge their shared interests in music and, above all, theatre.
After leaving the Duchess of York, they went on to Drury Lane to see the great Edmund Kean in his latest tragedy, Bertram. The visit to the Duchess had delayed them so much that they arrived well after the performance had started. As they sat down in their box, the audience interrupted the play with hisses and shouts of ‘Stage Box!’. Leopold was taken aback: he thought they were being criticised for coming late. But Charlotte explained that this was what the audience did when they wanted a royal party to move their chairs forward so that they could see them better. So Leopold and Charlotte did as they were asked. That night and for ever afterwards, they sat well forward in their box, and the audiences were soon noticing how often the uninhibited Princess sat with her hand resting on her husband’s arm.
A week later they went to the theatre again, this time to Covent Garden to see The Jealous Wife. As they entered the Prince Regent’s box, several minutes before the performance was due to start, the curtain suddenly rose and the entire company sang the national anthem with a few additional verses which had been written hurriedly for the occasion and did not quite fit the cadence of the tune.
Long may the Noble Line,
Whence she descended, shine
In Charlotte the Bride!
Grant it perpetuate
And ever make it great;
On Leopold blessings wait
And Charlotte his Bride.
A fortnight after that, Charlotte and Leopold were due to attend a performance of Macbeth, in which the ageing Mrs Siddons had agreed to make one last appearance. But when the day came Charlotte was in bed suffering from what Dr Matthew Baillie, the King’s Physician Extraordinary, described as ‘a severe cold’, which had come on suddenly and forced her to leave in the middle of a charity concert a few days earlier.
Charlotte remained in bed for a week, although she was well enough to receive visits from the Queen and her aunts and uncles, and soon after that she was again going to the theatre and dinner parties.
[an extract from ‘Charlotte&Leopold’ by James Chambers]
Picture: Princess Charlotte and Prince Leopold in their box at Covent Garden Theatre, 1816. The artist George Dawe was much patronised by the royal couple. This portrait was commissioned by Princess Charlotte, but Fry’s engraving was not issued until 6 April 1818 – after Princess Charlotte’s death in November 1817. Charlotte and Leopold are depicted seated in a classically ornamented box at the Covent Graden Theatre. He holds a libretto and looks at her. She is shown wearing a totally plain dress, but with a magnificent cashmere paisley shawl which is draped over one shoulder and falls over the box, showing off its exotic design; none of these costly shawls now survives. Charlotte has a wreath of roses in her hair and wears a low cut, high waisted dress of light weight material. The performance they are watching was of Henry VIII, performed for the benefit of the Theatrical Fund on Saturday 29 June 1817. The cast included Mrs Siddons as Queen Katherine. https://www.museumoflondonprints.com/image/143205/george-dawe-william-thomas-fry-princess-charlotte-and-prince-leopold-in-their-box-at-covent-garden-theatre-1816-1817